10 behind-the-scenes facts you didn’t know about the sci-fi classic

blade runnerRidley Scott’s influential sci-fi classic turns 40 in 2022. Originally released in 1982 and reissued several times thereafter, blade runner became one of the seminal sci-fi classics of all time and one of the most critically acclaimed films of all time.

While many moviegoers have undoubtedly seen blade runner In some ways, the film’s journey into its final form has been one of the most publicized and best-documented encounters between director and studio. Forty years after its initial release, viewers are still flocking back to Ridley Scott’s drenched dystopian sci-fi landscape in search of more mysteries and clues to the film’s true message.

Blade Runner is based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick.

blade runner is without a doubt one of the most cinematic films ever made. Even forty years after its publication blade runner continues to inspire sci-fi movies and TV shows like western world and modified carbon. However, many viewers are unaware that the film is actually based on a novel by American science fiction author Philip K. Dick. Do androids dream of electric sheep?

There are a number of differences between the novel and the film, such as: B. Deckard’s wife, obsession with animals, and the empathy box used by Deckard. The film takes a lot away from the novel and instead focuses on the detective aspect. Another big difference between the film and the novel is the word replicant. In the novel, the word replicant does not appear at all; Instead, the word android or “Andies” is used to describe the synthetic beings that Deckard hunts.

Ridley Scott did not read the novel before making the film

When it comes to a piece of literature making its way from the printed page to the big screen, it’s usually because of a director or filmmaker’s deep admiration. Regarding Ridley Scott and blade runnerit certainly wasn’t since the director never finished the book.

In an interview (via Wired), Scott admitted he didn’t actually read the novel before making the film. Scott said he said this to Philip K. Dick: “Actually, I couldn’t get into that…[before adding] You know you’re so tight bro, there’s about 17 storylines on page 32.”

There are many different versions of the film

something that has done blade runner notorious in film history is the convoluted backstory in relation to all the different versions of the film that exist. There are a number of different versions of the film that were released over the film’s forty-year history, but there are four main versions of the film, culminating in the final final version of the film, which was released in 2007 Blade Runner: Final Cut.

The first version (released in 1982) was heavily edited by the studio, with a number of different elements hated by some executive producers, including Harrison Ford’s voiceover and happy ending (via The Verge). The second version is called the workprint version. This early version of the film, with incomplete visual and sound effects, was accidentally released to the public at a 1990 LA screening of the film (as in On the Edge of Blade RunnerAvailable on youtube). The positive response to the workprint version of the film led to the Director’s Cut, released in 1992, the first version of the film in which Ridley Scott had the final say. The final, final version of the film was then titled released in 2007 The last cut.

The test audience did not like the film at all

Whereas blade runner Widely regarded today as a cinematic masterpiece, the original test audiences who saw the film’s print version during production were unimpressed. As revealed in the documentary On the Edge of Blade RunnerTest audiences did not respond well to the film, saying it was too difficult to understand.

These early test screenings had a tremendous impact on production, as Ridley Scott was forced to make compromises with his version of the film. The major changes made as a result of these test screenings were the addition of Harrison Ford’s voiceover and Deckard and Rachel’s sunset happy ending. Both elements would eventually be dropped from later versions of the film.

Harrison Ford hated doing the voiceover

One of the most slandered parts of the theatrical version of blade runner is Harrison Ford’s notoriously bad voiceover. Voiceover was added after test screenings to make the film easier to understand. Many voiceover rumors have persisted over the years, the loudest of which is that Harrison Ford hated voiceovers so much he intentionally got it wrong.

In the documentary On the Edge of Blade Runnerthis fact was confirmed by blade runner Production manager Katherine Haber, who said she saw Harrison Ford record the infamous voiceover. Haber said Ford intentionally gave a stilted performance in hopes producers wouldn’t use it.

The Unicorn Reverie sequence was not included in the film’s theatrical version

One of the most important symbols of blade runner, and the key to understanding the film is the unicorn. In which final cut During the film, Deckard falls into a daydream in which he sees a unicorn running through a wooded area. Later in the film, Deckard returns to his apartment to get Rachel and finds an origami unicorn that Gaff left behind, heavily implying that Gaff knows Deckard’s memories are implanted. The theatrical version of the film omits this daydreaming scene while retaining the final origami scene, making it a rather odd and unnecessary shot.

Another oddity about the unicorn sequence missing from the theatrical cut is that many people thought it was a trip with Ridley Scott after it was reinserted into the film. blade runner sequel movie Legend. This rumor was debunked by Paul M. Sammon in the documentary Blade Runner: all our future variants, from workprint to final cut.

Footage from Stanley Kubrick’s The Shining appeared in the theatrical version

The cinema version of blade runner showed a successful happy ending, in which Deckard and Rachel set off into the sunset. In constructing this alternate ending, the production used excerpts from Stanley Kubrick’s iconic opening of the brilliant.

As revealed in On the Edge of Blade RunnerThe production received large amounts of unused footage from the brilliant to compose the infamous ending. Kubrick’s only condition for submitting images of the brilliant was that not a single frame from his film would appear blade runner.

Rudger Hauer edited Tears In Rain’s iconic speech

One of the most famous quotes from blade runner is Roy Batty’s iconic Tears In Rain monologue at the end of the film. While the monologue is incredibly moving and poignant despite its short forty-two word composition, the monologue in the original script was very different.

As revealed by Ridley Scott On the Edge of Blade Runner, Rutger Hauer came to him with an edited version of the monologue as it appeared in the original script (which can be viewed here). While both versions of the monologue are moving, it was Hauer who complemented the most memorable part of the speech by adding “tears in the rain” at the end of the monologue.

Ridley Scott didn’t confirm the truth about Deckard until 2000

Most fans of blade runner Today you will no doubt be aware of the Deckard Replicant vs Human debate that is the focus of the film and Ridley Scott’s definitive answer to that question. However, Scott’s confirmation of the long-held belief that Deckard is in fact a replicant was not confirmed by the director until 2000, 18 years after the film’s initial release.

In a documentary from the year 2000 On the Edge of Blade RunnerProduced by Channel 4 in the UK and presented by British film critic Mark Kermode, Scott first confirmed on camera what has long been debated about the film, that Deckard is in fact a replicant and the unicorn associated with the origami dreams at the end of the film confirms this .

The idea of ​​Deckard being a replicant arose out of a misunderstanding between the two screenwriters

The idea surrounding Deckard’s true nature of whether or not he is a replicant is central to fully understanding blade runner. While Ridley Scott has confirmed on numerous occasions that Deckard is indeed a Replicant, the idea did not originate with him. In fact, neither Scott nor the two screenwriters David Peoples and Hampton Fancher claim the origin of the idea.

It was worked on by David Peoples and Hampton Fancher blade runner script separated, and the idea that Deckard is a replicant arose out of a misunderstanding Peoples had regarding a line of dialogue written by Fancher in which Deckard, contemplating Rachel’s relationship with her creators, wonders “what about him, who made me”. While the line was originally written as Deckard referring to God, Peoples interpreted the line to mean that Deckard was also a replicant. This misconception was discovered by Mark Kermode while making his documentary in 2000 On the Edge of Blade Runner (The whole story is described here by the film critic).

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